In Montreal, I ate bagels instead of poutine. I had planned on visiting Mile End – the suburb described as the city’s coolest quarter – because my friend Susan lives there, I wanted to go to Drawn and Quarterly, and I continue to add to my (as yet unwritten) international taxonomy of hipsters. If Mile End is supposed to be the hipster capital of Canada, then I needed to see it.
It was described to me as the Montreal equivalent of Williamsburg: a formerly poor and fairly run-down, largely immigrant suburb, popular with artists, slowly being encroached upon by students, young middle-class families in search of beautiful but affordable homes near the city centre, and hipsters. It also has a substantial population of Orthodox Jews.
My friend Carina and I took the bus from Westmount – where we were staying with our friend, the bride-to-be – and walked up St-Laurent, all the way up the Plateau. It was early on Saturday morning, so we arrived in Mile End in search of breakfast. Having heard about the wars between two rival bagel bakeries in the area, we bought breakfast at Fairmount Bagel. It was, incidentally, the place recommended to us as the superior bakery.
And the bagels were delicious. I now know that the traditional Montreal bagels are white (with sesame seeds) or black (with poppy seeds), but our cinnamon and raisin bagels, fresh from the oven, were some of the best I’ve ever had. I was also starving and frozen by the time, so that may also have influenced my verdict. In contrast, the bagel I tried a few hours later – for the purposes of science, you understand – from the rival St-Viateur bakery, seemed not as good. St-Viateur is also the subject of Donald Bell’s comic novel Saturday Night at the Bagel Factory (1973).
These Mile End institutions are testimony to the many groups of immigrants who settled in Canada, particularly during the early twentieth century. Jewish immigrants fleeing persecution in Central and Eastern Europe settled in Montreal partly because it offered jobs and security. The city’s Jewish population grew from around 7,000 in 1900, to nearly 64,000 in 1941, with many of them settling in Mile End and surrounds. The Orthodox Jewish community began to grow there during the 1980s.
Until this visit, I didn’t know that Montreal bagels are distinct from other varieties: they are smaller, flatter, with bigger holes, and are baked in wood-fired ovens. They have a complex, sweeter flavour, and a drier, more chewy texture. In fact, there is now a restaurant in New York which sells Montreal bagels.
In her excellent We are what we eat: Ethnic Food and the Making of Modern Americans, Donna R. Gabaccia explores the evolution and changing of immigrant cuisines in the nineteenth- and twentieth-century United States. She traces the history of the bagel there: how it shifted from being made almost exclusively by Jewish delis for Jewish customers in the 1890s, to being a ubiquitous snack food available throughout the country by the 1970s and 1980s. She writes:
The bagel was not a central culinary icon for Jewish immigrants; even before Polish and Russian Jews left their ethnic enclaves or ghettoes, their memories exalted gefilte fish or chicken soup prepared by their mothers, but not the humble, hard rolls purchased from the immigrant baker. As eaters, Jewish immigrants were initially far more concerned with the purity of their kosher meat, their challah, and their matzos, and with the satisfactions of their Sabbath and holiday meals, than with their morning hard roll.
However, bagels found an enthusiastic audience among other immigrant communities, particularly in New York, where the bagel came gradually to symbolise the city. Eating cream cheese and smoked salmon on these bagels transformed them from being a part of a Jewish baking tradition, to signifying its multicultural heritage.
I wonder to what extent the same is true for Montreal? And it feels likely that this city in a country with an official policy of multiculturalism – although in a province which has a far more conflicted attitude towards this policy – would embrace this immigrant food as one symbol of what it means to be from Montreal. (In much the same way that a café near to these bakeries sells a souvlaki version of poutine.)
I think, though, that these bagels are also taking on a new meaning. Gabaccia notes that the mass production of bagels from the 1970s made them more widely available, but also turned them into an altogether softer, sweeter, and easier bread to snack on. Bagels made in factories by Kraft – and not hand-rolled in small bakeries – lacked the texture, crust, and savouriness of the product first made in the northeast.
Artisanal gefilte fish. Slow-fermented bagels. Organic chopped liver. Sustainable schmaltz.
These aren’t punch lines to a fresh crop of Jewish jokes. They are real foods that recently arrived on New York City’s food scene. And they are proof of a sudden and strong movement among young cooks, mostly Jewish-Americans, to embrace and redeem the foods of their forebears. That’s why, at this moment in 21st-century New York, the cutting edge of cuisine is the beet-heavy, cabbage-friendly, herring-loving diet of 19th-century Jews in Eastern Europe.
Much of the recent enthusiasm around the rediscovery of the hand-made and the artisanal (whatever we may mean by that) has been driven by hipsters (whatever we may mean by them). In a series of posts about the anthropology of hipsters – and the hipsterdom of anthropologists – Alex Posecznick notes that one of the defining features of ‘the hipster population’ is a rejection of ‘mainstream, capitalist and individualist norms in favour of tactile crafts, free-trade coffee and styles that physically mark that rejection.’
For the hipsters of Mile End, the Fairmount and St-Viateur bakeries exemplify this refusal of the mass-produced, and the adoption of the local, the ethical, and the somehow ‘real.’ But, as Posecznick acknowledges, this never-ending search for cool in the form of the authentic can also been seen as representing no real break from other forms of capitalist consumption:
They have turned consumption itself into an art, where the fine distinction of this hat over that invests cultural capital, and where although it is used and battered, it can be sold for four times the value of a new hat.
My point is that the bagel’s meanings have changed once again: those produced in small quantities in small bakeries now suggest gritty, cool urban living, as well as a return to old-fashioned, wholesome ways of making food. The irony, though, is that this shift of meaning has occurred within the context of the gentrification of once-poor, often (Orthodox) Jewish, neighbourhoods, where rent increases have meant that their populations are becoming increasingly homogenous: largely middle-class, mostly white.
Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.