In Good Books
Over the past week or so, five or six people have sent me a link to a Brain Pickings post about Dinah Fried’s new book, Fictitious Dishes: An Album of Literature’s Most Memorable Meals. What began as a project at the Rhode Island School of Design soon transformed into an attempt to recreate, and then photograph, meals eaten in well-known novels.
Fried includes the picnic of baked potatoes and eggs (I’ve never encountered a baked egg, have you?) from The Secret Garden, the avocado and crabmeat lunch that causes riotous vomiting among the finalists of the Ladies’ Day writing competition in The Bell Jar, the chowder in Moby-Dick, and Holden Caulfield’s cheese sandwich and milkshake.
Food, like sex (as the annual Bad Sex Award makes abundantly clear), is very difficult to write about without descending into cliché or embarrassingly purple prose. There are some writers who evoke cooking and eating particularly well. I think immediately of AS Byatt and her descriptions of the jugged hare in The Biographer’s Tale, and the tennis ball-sized profiteroles in a lake of chocolate sauce consumed by awkward Maud and Roland in Whitby in Possession. Virginia Woolf, for all her complex problems with eating, writes well about food too: the boeuf en daube in To the Lighthouse, for instance, and the evocation of the meals eaten in the men and women’s colleges in A Room of One’s Own.
In fact, her description of the food at the latter institution (the ‘plain gravy soup’, the ‘sprouts curled and yellowed at the edge’, the ‘prunes and custard’, and the ‘dry’ biscuits) is an excellent portrayal of unappetising food. In The Years Woolf writes about a depressing dinner consisting of a tough, underdone leg of mutton (when it’s sliced with a carving knife a ‘thin trickle of red juice ran out’ and collects ‘in the well of the dish’), ‘a slabbed-down mass of cabbage in oozing green water’, and ‘yellow potatoes that looked hard.’
In A Passage to India, EM Forster writes about the meals served at the club for British officers and civil servants:
Julienne soup full of bullety bottled peas, pseudo-cottage bread, fish full of branching bones, pretending to be plaice, more bottled peas with the cutlets, trifle, sardines on toast: the menu of Anglo-India. A dish might be added or subtracted as one rose or fell in the official scale, the peas might rattle less or more, the sardines and the vermouth be imported by a different firm, but the tradition remained; the food of exiles, cooked by servants who did not understand it.
In Jane Eyre our heroine arrives at Lowood School to discover that her fellow pupils exist on the brink of starvation:
Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered –
‘Abominable stuff! How shameful!’
Paul Bowles’s The Sheltering Sky is, in some ways, a progression of increasingly appalling meals. The subject of Margaret Atwood’s first novel The Edible Woman is disgust at food: the protagonist, Marion, finds herself unable to eat a variety of foods as she begins to anthropomorphise everything she tries to cook, including cake and tinned rice pudding.
In her discussion of Fried’s book, Maria Popova writes about the ways in which both food and reading are different kinds of nourishment: for the body, and for the mind (and the soul, I think she’d add). But reading has another history too. As Jane Austen – who uses food skillfully to demonstrate both class divisions and her characters’ pretensions – parodies in Northanger Abbey, young women in the late eighteenth and nineteenth centuries were warned against the effects not only of reading frivolous novels, but of reading too much. This kind of binge reading was believed to be as bad for the morals, as eating too much was harmful to health. Marianne Dashwood’s reckless, wild behaviour in Sense and Sensibility is partly the product of too much reading. (Although Austen implies that her sensible sister Eleanor could certainly read a little more.)
We celebrate the value of reading – and voracious reading – so much at the moment that we forget that it hasn’t always been seen as an unalloyed virtue. Novels, especially, were held up as potentially dangerous to impressionable young (female) minds, in much the same way as video games and the internet have been in the twentieth- and twenty-first century. Victorian moralists argued that in the case of both sweets and Mrs Radcliffe, they could be too much of a good thing.

Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.














Apr 27
Long Walk
This morning I went to the unveiling of a blue plaque in Fietas, a small, increasingly rundown suburb to the west of the old Johannesburg CBD. It was to commemorate the establishment of the Save Pageview Association, and particularly the work of its founder, Adam Asvat, on whose house the plaque had been placed.
Today, twenty years ago, all South African adults were eligible to vote in the country’s first democratic elections. Also, today sixty-four years ago, the Group Areas Act was passed. This piece of legislation had devastating consequences for Fietas and other, similar suburbs with racially mixed populations.
We remember the agonising destruction of District Six in Cape Town and Sophiatown in Johannesburg, but the attempt to rub out Fietas, its mosques and churches, its shopping street – Fourteenth Street – made famous by Nat Nakasa, and its history of anti-segregation and anti-apartheid struggle is, possibly, less well known. Although eviction orders were sent to Pageview’s residents from 1964 – the area was rezoned ‘white’ – the bulldozers moved in only a decade later. Shopkeepers were required to move to the purpose-built Oriental Plaza in nearby Fordsburg, and families were to leave for Lenasia, a relatively far-away suburb for Indians.
The Pageview Association resisted the removals at every step. In 1989 – a year before the release of Nelson Mandela, and fours years after the declaration of the first state of emergency – a court case initiated by the Association successfully ended the evictions.
Pageview – or Fietas as it is also known – had no happy ending, though. It was not properly rebuilt after the removals. The suburb is desperately poor and crime-ridden. Its streets need renovating and sweeping. The first poster I saw for the Economic Freedom Fighters – a far-left, nationalist organisation purporting to represent the very poor and marginalised – was in Fietas’s main road.
But today, as a group of people, some in their nineties and others just learning to walk, a few residents and former residents, a couple of students and journalists, a sprinkling of academics and activists, gathered to celebrate the lives of Adam and Khadija Asvat, I was reminded that when South Africans went to vote on 27 April 1994, it was by no means certain that the outcome would be even remotely peaceful.
I was about to turn twelve years old during those elections, and I spent them shuttling between the television and a science project. (The public holidays played havoc with the curriculum.) My parents voted, and my mother volunteered at the polling station in the Paarl town hall, fielding questions from old ladies (‘do I need to vote for the National Party twice?’). I was old enough to understand the significance of the election, but young enough to be reassured by my parents when they said that everything would be alright.
Although we lived in a smallish town in an agricultural district near Cape Town, we were acutely aware of the violence and radical uncertainty of the period, and not only because both my parents were opposed to the apartheid regime. There were riots in Paarl after Chris Hani’s assassination; the far-right Afrikaner Weerstandsbeweging arrived to protect my white, girls’ school from whatever they believed we needed protecting from (and were told exactly where they could go and put their rifles by our outraged – Afrikaans-speaking – headmistress); the bomb drills; our neighbour who horded tinned food before the election; the threatening phone calls from the police when my mother’s work for the Black Sash drew too much attention to herself; the radio announcer counting the numbers killed overnight in violence in the Vaal Triangle, in KwaZulu-Natal, and elsewhere, as we ate breakfast before school.
Today’s guest of honour was Judge Johann Kriegler, who headed the Independent Electoral Commission (IEC) in 1994. He spoke about the chaos of the election: of the difficulties of getting ballot papers and even telephone lines to the very rural parts of the country, and how they had to scramble to include the Inkatha Freedom Party on the ballot papers, after its last-minute decision to participate in the election.
To reduce election fraud and because so many people were scared to vote, the IEC imported invisible ink from the United States to mark the hands of those who had voted. This ink would be visible only to ultraviolet lamps distributed to polling stations. But the lamps didn’t always work, and the ink soon ran out. What to do? Officials were told to continue pretending that the lamps did work, and to use water instead of invisible ink.
And yet things worked out.
I wish the police would stop shooting protesting civilians; that the Department of Education would send adequate supplies of textbooks to schools; that so many officials – from police in my local traffic department to the President – were not implicated in corruption; that there was no need for people to take to the streets to protest lack of service delivery; that there were no attempts to stifle freedom of expression; that the incidence of gender-based violence was not so high.
But as we gathered in the Fietas Museum after the speeches and the unveiling, drinking tea and eating samoosas and koeksisters and chilli bites, I felt that for all this – for all that we have so much still to do, for all that we never really defined what we mean by ‘transformation‘ – we’ll be alright. It’ll work out. Somehow.
Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.