Is the Future of Food Medieval?
Public service announcement: if you’re in Cape Town and would like to know more about the Protection of Information Bill and what YOU can do about it, come to Right2Know‘s public meeting on Tuesday, 7 June, at 18:00 at Idasa, 6 Spin Street. Judith February will be joined by Pregs Govender, Zapiro, Pierre de Vos, and others.
This week Oxfam published a report on the state of the world’s food systems. Titled ‘Growing a Better Future,’ the study argues that by 2030 the world will be in a state of permanent food crisis. Staples will cost twice as much in twenty years time, with the price of maize increasing by as much as 180%. The world’s poorest will be the worst affected by the crisis. As demand for food outstrips supply and places pressure on existing food distribution systems, more than a billion people will go hungry every day.
Already, the average growth rate in agricultural yields has halved since 1990, and this is set to decline even further. A combination of factors have converged to produce this crisis. Climate change, increasingly limited natural resources, commodity speculation, the demand for biofuels, population growth, and changing, more meat- and dairy-heavy diets are working to destabilise our food system.
The result of the food crisis is not only hunger, but poverty and increasing political upheaval:
we have entered an age of growing crisis, of shock piled upon shock: vertiginous food price spikes and oil price hikes, devastating weather events, financial meltdowns, and global contagion. Behind each of these, slow-burn crises continue to smoulder: creeping and insidious climate change, growing inequality, chronic hunger and vulnerability, the erosion of our natural resources. The broken food system is at once a driver of this fragility and highly vulnerable to it.
Alongside this report, Oxfam has launched a campaign, ‘Grow’, to publicise its set of solutions to the food crisis. It’s attempting to mobilise opposition to land grabs and commodity speculation, to promote small-scale agriculture, and also to highlight awareness of the links between climate change and food prices.
In his analysis of the report, Mark Lynas makes the point that one of its most interesting features is its pragmaticism. The report notes (rightly):
The romanticisation of ‘the peasant’ and rejection of new technologies and trade have the potential to lock farmers into poverty. International trade and new technologies are not magic bullets, but each has a major contribution to make, one which can be increased massively if governments direct them towards delivering public goods.
It even adds:
Large-scale agriculture also has a role to play in meeting the sustainable production challenge. It is better able to meet the exacting standards that have come to characterize the food supply chains that feed burgeoning cities. Moreover, as economic development takes place, and labour costs rise relative to capital costs, larger, more mechanized modes of production become more viable, in turn providing an exit from agriculture for poor rural people as long as sufficient jobs are created in industry.
Has Oxfam lost its marbles? Of course not. This report is a tacit rejection of the idea that industrialisation is itself the cause of the instability of the food system. It makes the point that while technology may have caused incredible damage to ecosystems and even reduced yields, it has the potential to get us out of this crisis as well. The issue isn’t the technology itself, but, rather, the way in which it is used.
I am concerned that Oxfam will have an uphill battle over this point. So many organisations seem to have swallowed whole the concept that we need to return to the farming, cooking, and eating of the past in order to eat better in the present, and future. The Oxfam report demonstrates that our food crisis is so complex that this simplistic way of thinking about food simply won’t do.
As I wrote last week, the Slow Food Movement has long described itself as offering an alternative way of thinking about food. I think that despite the good that Slow Food has done in the world, its views on food and the past are not only deeply troubling, but actively harmful. Its Manifesto on the Future of Food argues for a wholesale rejection of all forms of technology and a ‘transition to a more decentralized, democratic and cooperative, non-corporate, small-scale organic farming as practiced by traditional farming communities, agroecologists, and indigenous peoples for millennia.’
The Slow Food Manifesto (and Slow Food seems to like nothing more than a manifesto) states:
Our defence should begin at the table with Slow Food. Let us rediscover the flavours and savours of regional cooking and banish the degrading effects of Fast Food. In the name of productivity, Fast Life has changed our way of being and threatens our environment and our landscapes. So Slow Food is now the only truly progressive answer. … Slow Food guarantees a better future.
It is partly this enthusiasm for the regional, the local, the ‘indigenous’, and the ‘traditional’ which makes me question that Slow Food does guarantee a ‘better future’. To which ‘tradition’ do we return?
It’s particularly interesting that Slow Food originated in Italy. This is a country with a heavily invented notion of its own food traditions, and a suitably bad memory of what Italians really did eat in the recent past.
Up until the end of the First World War, Italian diets were very poor – which, given Italy’s climate, terrain, and precarious political situation throughout the nineteenth century, isn’t terribly surprising. Most main meals consisted either of bread or polenta with onions, oil, and whatever cheap fish and vegetables were available. The components of what we now believe to be the age-old Italian or Mediterranean diet – pasta, tomatoes, wine, dairy products, and other fresh produce – were eaten only during festivals. Carol Helstosky writes in Garlic & Oil: Food and Politics in Italy:
Although few people starved or fell seriously ill from malnutrition in the nineteenth and twentieth centuries, the majority of the Italian population did not consume a nutritionally adequate diet because of economic and political constraints on their behaviour as consumers and eaters. Subsistence farming and local markets characterized Italian agriculture while a weak national economy limited consumer options, even for urban workers and members of the middle class. … Italian consumers remained trapped in a post-subsistence economy for multiple reasons, unable to make the transition to a more varied and nutritious diet.
The change came in 1919. During the Great War, state control over food distribution systems meant that the diets of ordinary Italians actually improved. (Something similar happened in Britain during the Second World War.) Diets were increasingly more homogenous, and wheat flour began to replace maize and other carbohydrates.
In addition to this, Italian immigrants in the United States began to shape a new kind of national cuisine. Even relatively poor, newly-arrived Italians could afford a greater variety of food in America than they could at home. They were able to buy the tomatoes, pasta, and olive oil which they couldn’t afford in Italy. Helstosky adds:
as Italians began to leave the peninsula for greater economic opportunities in the Americas and elsewhere, they sought to recreate familiar dishes. This led to a growing body of consumers for Italian products (dried pasta, canned tomatoes, and olive oil), which in turn greatly aided the development of certain food industries within Italy. Only after substantial numbers of Italians abroad began consuming these foods did domestic production furnish more products for Italians at home. Ironically, it was because of the ‘imagined communities’ outside Italy that the food industry inside Italy produced the goods that became the foundations of Italian cuisine.
In America, this invented ‘traditional’ cuisine was used to construct and delineate new immigrant Italian identities. Overseas demand for the products of ‘home’ stimulated the Italian food industry – and the mass production of tinned tomatoes and other products made them more easily available in Italy. This American connection of Italian identity with a particular kind of Italian cooking was also exported back to Italy.
In a sense, ‘Italian cuisine’ was created in a dialogue between poor, badly nourished Italians in Italy and their wealthier, better-fed cousins in the United States. During the economic boom of the 1950s and 1960s, Italians began to eat the same food as Italian immigrants, supplementing their diets to a greater extent with meat and dairy products. They also began to link this invented notion of Italian food with being Italian.
The Italian cuisine promoted by the Slow Food Movement was created in the United States and in Italy during the second half of the twentieth century. The ‘traditional’ food to which Slow Food harks back is not the chestnut flour and woody vegetables of inadequate nineteenth-century peasant diets, but, rather, the invented ‘traditional’ Italian food of artisanal olive oil, balsamic vinegar, red peppers, prosciutto, and ricotta.
This is only one example of how a rose-tinted, faulty understanding of history hides the fact that peasant diets – both in the past and those in the present – are produced by backbreaking labour and are usually nutritionally inadequate. We are taller, healthier, and live longer today because our diets are more varied and contain more protein than those of our ancestors. To suggest to peasants that their diets are somehow better than those in the West is patronising and ignorant.
But the technologies of the twentieth century which revolutionised our food systems are not sustainable. The Green Revolution’s enthusiasm for pesticides and large-scale irrigation, the neglect of small farmers, industrial agriculture, and the increasing concentration of the world’s food supply in the hands of a small collection of supermarkets, agricultural businesses, and food companies, have helped to land us in the situation we’re in now. Clearly, things need to change. Tim Lang writes:
An entire 20th-century approach to food modernity is under threat. Consumer expectations, not least that we can eat whatever we like whenever we like, are at stake. The 20th century squandered scientific possibilities. It created the fiction that ever more food can be produced by tapping oil, throwing fertiliser at seeds, spraying endless water and treating the soil as blotting paper, a neutral medium. We now know how fragile that mix is, and how fragile the Earth’s crust and biology are too.
The future of food is not in the past. Even the Slow Food Movement celebrates a peasant diet which was invented partly in twentieth-century North America. I believe very strongly that we can learn from history to improve our eating and attitudes towards food today, but an unthinking return to ‘tradition’ is both impossible and undesirable.
Update: for more on the general dodginess of Slow Food, see Luca Simonetti’s excellent analysis of the moment’s political and ideological leanings.
Further Reading
Texts quoted here:
Robert Bailey, Growing a Better Future: Food Justice in a Resource-Constrained World (Oxfam, 2011).
Carol Helstosky, Garlic & Oil: Food and Politics in Italy (Oxford and New York: Berg, [2004] 2006).
Eric Hobsbawm and Terence Ranger (eds.), The Invention of Tradition (Cambridge: Cambridge University Press, 1992).
Jerry Mander (ed.), Manifesto on the Future of Food (The International Commission on the Future of Food and Agriculture, 2006).
Other sources:
Julia Csergo, ‘The Emergence of Regional Cuisines,’ in Food: A Culinary History from Antiquity to the Present, eds. Jean-Louis Flandrin and Massimo Montanari, English ed. by Albert Sonnenfeld (New York: Columbia University Press, 1999), pp. 500-515.
John Dickie, Delizia! The Epic History of the Italians and Their Food (London: Hodder and Stoughton, 2007).
Donna R. Gabaccia, ‘As American as Budweiser and Pickles? Nation Building in American Food Industries,’ in Food Nations: Selling Taste in Consumer Societies, eds. Warren Belasco and Philip Scranton (New York and London: Routledge, 2002), pp. 175-193.
Kolleen M. Guy, ‘Rituals of Pleasure in the Land of Treasures: Wine Consumption and the Making of French Identity in the Late Nineteenth Century,’ in Food Nations: Selling Taste in Consumer Societies, eds. Warren Belasco and Philip Scranton (New York and London: Routledge, 2002), pp. 34-47.
Kolleen M. Guy, When Champagne Became French: Wine and the Making of a National Identity (Baltimore: Johns Hopkins University Press, 2003).
Emiko Ohnuki-Tierney, ‘Rice in the Discourse of Selves and Others,’ in Rice as Self: Japanese Identities through Time (Princeton: Princeton University Press, 1993), pp. 99-113.
Jeffrey M. Pilcher, ‘The Tortilla Discourse: Nutrition and Nation Building,’ in iQue vivan los tamales! Food and the Making of Mexican Identity (Albuquerque: University of New Mexico Press, 1998), pp. 77-97.

Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.




Jul 8
Aussie Rules?
A month ago I had the pleasing experience of packing for Perth. In South African slang, ‘packing for Perth’ means immigrating to Australia. In the decade that followed the transition to democracy, around 800,000 mainly white South Africans left – some for New Zealand, Britain, and the United States, but the bulk went to Australia.
Australia’s appeal to these South Africans was based on its political and economic stability, its relatively low crime rate, and also on its familiarity. Its landscape and cities feel similar to some parts of South Africa, and white, middle-class South Africans seemed have little difficulty assimilating into life in white, middle-class Australia.
Shortly after beginning university, my best friend’s family moved to Tasmania; and we knew of others who settled in Perth, where the majority of South Africans seeking permanent residence were directed. At the time, I was mystified about this enthusiasm for a country about which I knew relatively little. Neighbours and Home and Away having passed me by, when I thought of Australia I imagined the worlds of Picnic at Hanging Rock and My Brilliant Career – and also of The Castle and Strictly Ballroom. It was a rather confusing picture.
Then more recently, I became aware of Australia as a country with an enthusiasm for good food: in television series like My Restaurant Rules and MasterChef, and in the recipes books and magazines of people like Maggie Beer, Stephanie Alexander, Bill Granger, and Donna Hay. Particularly on MasterChef, Australian cooks and chefs speak often – and approvingly – of something called ‘modern Australian cooking’. I went to Australia in the hope of identifying this new cuisine. But I returned none the wiser.
I ate extremely well in Australia. I am very lucky to have friends who not only let me stay with them, but who are also amazingly good cooks. The meals I had at cafes and restaurants were excellent, and even the conference food was the best I have ever eaten. (There were spring rolls for lunch and lamingtons for tea. Enough said.)
Yet in all this, I struggled to find something that was uniquely, and particularly ‘modern Australian’ about the food I ate. I did go out of my way to consume those delicacies and dishes which either originated there or have come to be associated with the country: lamingtons and Anzac biscuits (a revelation), friands (I ate my weight’s worth in them), burgers with beetroot (up to a point), and litres and litres of flat whites, especially in Melbourne. Fruit bread is a fantastic invention. I tried Vegemite in London and decided that once was enough. And, alas, I forgot to eat a pavlova, but given the amount I did manage to consume, it was probably just as well.
A flat white in Fremantle.
I also ate an incredible omelette at a Vietnamese restaurant in Marrickville in Sydney, and a pleasingly thin-crusted pizza at an Italian joint in Melbourne’s Yarraville. Australian food is also immigrant food: it’s comprised of the cuisines of the Greeks, Italians, Vietnamese, Chinese, and others who settled in the country over the past century or so.
But ‘modern Australian’? I’m not sure that I ate that – possibly it’s only to be found in high-end restaurants, none of which I could afford. One culinary tradition which I did not see – at restaurants or in the cookery sections of bookshops – was Aboriginal cooking. Although Colin Bannerman identifies a small resurgence of interest in ‘bush tucker’, it’s telling that this cuisine is not included in mainstream Australian recipe books or cookery programmes. It isn’t modern Australian.
I don’t want to draw the obvious – glib – conclusion that this is suggestive of how Aboriginals have been ostracised from Australian society. Aboriginals are socially and economically marginalised, and suffer disproportionately from appallingly high rates of alcoholism, domestic violence, drug abuse, and other social problems, but I don’t think that Australian cooks and chefs ignore their cuisine out of a desire to exclude them further (unless I’m being stunningly naïve).
I think that this unwillingness to explore Aboriginal cooking stems from ignorance and a wariness of the complicated politics of engaging with a different society’s culinary traditions. More importantly, it’s also the product of how a twenty-first century Australianness is being constructed in relation to food and cooking. It’s for this reason that I’m interested in this idea of modern Australian cuisine.
Australian cooking queen Maggie Beer is fulsome in her praise of Australia. In her recipe books, which tend to focus on her farm in South Australia’s Barossa Valley, she argues that fresh Australian produce is key to the success of not only her recipes, but also her restaurant and food business. Her understanding of an Australian culinary tradition does not include Aboriginal cuisine, but is, rather, rooted in an appreciation for the country’s landscape and agriculture.
Organic potatoes in Melbourne’s Victoria Market.
Although she may use ingredients which are unique to Australia – like yabbies – or which grow there in abundance – such as quinces – her cooking is overwhelmingly European in nature: it draws its inspiration from the culinary traditions of France and Italy. Adrian Peace sums up this rethinking of an Australian food heritage particularly well in an article about the Slow Food Movement’s popularity in the Barossa Valley:
Younger, city-based food writers like Donna Hay and Bill Granger place as much emphasis on buying local Australian produce, even if their recipes draw inspiration from more recent immigrant cuisines, primarily those of southeast Asia – Melbourne and Sydney have substantial Chinatowns – and the southern Mediterranean.
All of these writers claim that their cooking, which is drawn from the cuisines of the immigrants who’ve settled in Australia, is ‘authentically’ Australian partly because they use local produce and advocate seasonal eating.
Australian garlic at Victoria Market.
Ironically, if this is modern Australian cooking, then it is very similar to the Australian cuisine of the early twentieth century, during a period in which Australia was formulating a new, united identity after federation in 1901. The Anzac biscuit – a delicious combination of oats, golden syrup, butter, and desiccated coconut – can be seen as symbolic of this early Australian identity. Baked by the wives, sisters, and mothers of the members of the Australian and New Zealand Army Corps during the first world war, the biscuits became closely associated with the disaster at Gallipoli in 1915, when 8,141 Australian troops were killed in what was, in retrospect, a pointless battle. Sian Supski explains:
Anzac biscuits are a kind of culinary symbol of Australia – a foodstuff connected to the forging of the Australian nation. But for all their Australianness, they are also strongly suggestive of Australia’s immigrant roots and global connections: there is some evidence to suggest that they were based on Scottish recipes, and they were sent to soldiers fighting what was, in many ways, an imperial conflict.
Australian cooking during the nineteenth and early twentieth centuries emphasized the country’s position within the Empire: the country cooking described in early recipe books was British cuisine adapted, to some extent, for Australian circumstances. Publications like Mina Rawson’s Queensland Cookery and Poultry Book (1878) did acknowledge the quality of local produce, and even included recipes for jams made from indigenous berries. Although, like elites all over the world, the Australian upper middle-classes aspired to eat a rarefied French cuisine, everyone else cooked an approximation of what they ate at ‘home’ (or ‘Home’). The Sunday roast remained the highlight of the week’s eating; heavy puddings featured even in summer; and teatime was a significant moment in the day.
At the same time, Australia’s economy was becoming increasingly dependent on the export of food: innovations in refrigeration meant that fresh produce could be shipped around the world. Australia sent meat, fruit, and vegetables to Britain. The posters of the Empire Marketing Board – which was established in 1926 to promote trade within the British Empire – portrayed Australia as a land of abundance. The British children sent to Australia between the second world war and 1967 were told that they were going to a land of ‘oranges and sunshine’.
So this earlier Australian culinary tradition also mingled Australian produce with a foreign – this time British – culinary tradition in the name of producing something ‘authentically’ Australian.
In Sydney’s Chinatown.
For all its attempts to associate a modern Australianness with a cosmopolitan and sophisticated liking for, and knowledge of, the cooking of southeast Asia and other regions, modern Australian cooking is very similar to that of the Australian cuisine of the early twentieth century – of an Australia anxious to assert its position within the Empire and to prove its status as a ‘civilised’ nation through ‘civilised’ eating.
Both of these traditions ground themselves in an appreciation for an empty landscape: one that is devoid of human – particularly Aboriginal – life, but that is bursting with good quality fresh produce, most of which was, ironically, introduced from abroad.
Further Reading
I am very grateful to Alex Robinson who recommends two particularly good histories of food and cooking in Australia:
Barbara Santich, Bold Palates: Australia’s Gastronomic Heritage (Adelaide: Wakefield Press 2012).
Michael Symons, One Continuous Picnic: A Gastronomic History of Australia (Melbourne: Melbourne University Press, 2007).
Sources cited here:
Colin Bannerman, ‘Indigenous Food and Cookery Books: Redefining Aboriginal Cuisine,’ Journal of Australian Studies, vol. 30, no. 87 (2006), pp. 19-36.
Adrian Peace, ‘Barossa Slow: The Representation and Rhetoric of Slow Food’s Regional Cooking,’ Gastronomica: The Journal of Food and Culture, vol. 16, no. 1 (Winter 2006), pp. 51-59.
Barbara Santich, ‘The High and the Low: Australian Cuisine in the Late Nineteenth and Early Twentieth Centuries,’ Journal of Australian Studies, vol. 30, no. 87 (2006), pp. 37-49.
Sian Supski, ‘Anzac Biscuits – A Culinary Memorial,’ Journal of Australian Studies, vol. 30, no. 87 (2006), pp. 51-59.
Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.