This term a colleague and I are teaching a course on the 1960s to our third-year students (who are uniformly lovely – henceforth I shall only teach third-year students, Head of Department-willing). I’ve spent the past two lectures on the counter-cuisine, a movement located mainly in California from around 1966 onwards. Aside from the loonier fringes represented by the Diggers and some members of the back-to-the-land movement, the most durable remnant of the food counterculture was the co-operative movement. Over five thousand buying clubs and co-operative groceries were established between 1969 and 1979. Warren Belasco explains:
Although many consumers flocked to these hip stores just for the cheaper, healthier food, co-op organisers frequently had a more ambitious agenda: using socialised food distribution as a starting point, they hoped to establish a decentralised, democratic, alternative economic network that would sustain an oppositional culture and eventually subvert the wider society.
One woman, who was a member of the West Concord Food and Friendship Co-Op remembers:
Every week we picked up our orders of whole grains, nuts, oils, dried fruits, seeds, tofu, yogurt, cheese, and peanut butter, bringing our own re-used quart and gallon jars and plastic containers. When it was our turn to place and break down the order we collated all the previous week’s orders, placed the order with NEFCO, the New England Federation of Cooperatives, and then divided up the bulk goods into boxes for each member. The food was first rate: gallon jars of organic yogurt with the cream on top, vats of tofu in pound blocks bought directly from Boston’s Chinatown, and 10-pound blocks of sharp cheddar cheese from the Cabot dairy cooperative in Vermont – for we purchased from producer cooperatives whenever possible.
One of the things which struck me as I wrote these lectures was how similar the present food revolution – whatever that may be – is to the counter-cuisine: as the Diggers distributed free food at Golden Gate Park in 1966, using food discarded by supermarkets, so organisations like This is Rubbish raise awareness about food waste by ‘skipping’ – collecting fresh produce past its sell-by date and then serving it in free feasts. The amazing People’s Supermarket provides an alternative to supermarkets by being run along co-operative lines.
As the co-operatives of the 1960s went out of their way to support local producers – as Alice Waters’s Chez Panisse (founded in 1971) bases its menus on what local organic farmers are harvesting – so now eating ‘locally’ is seen as one of the best ways of eating responsibly and sustainably. ‘Locavorism’ offers an alternative to a globalised, industrialised food system which stocks supermarkets with strawberries – flown halfway across the world – in the middle of winter.
But our food supply has been globalised since at least the beginning of the twentieth century. Already in the 1870s, improvements in transportation meant that Canadian and American wheat fed Europe during one of the worst harvest failures of that century. But the excitement many felt during the twentieth century at the prospect of relatively cheap pineapples and papaya grown abroad and flown and shipped to Western supermarkets, has been replaced by a deep concern about the environmental cost of unseasonal eating, and the power of Big Food.
There is another reason to think twice about food shipped in from abroad: its political cost.
I’ve just finished reading Nicholas Shaxon’s eye-poppingly good Treasure Islands: Tax Havens and the Men Who Stole the World (2011). He argues that tax havens – which the International Monetary Fund estimates to hold more than a third of the world’s GDP on their balance sheets – have fundamentally undermined the world’s economic system. Not only has the legitimate, on-shore financial system become progressively deregulated to compete with offshore – helping to cause the 2008 crash – but tax avoidance keeps poor nations reliant on aid. He explains:
Offshore business is, at heart, about artificially manipulating paper trails of money across borders. To get an idea of how artificial it can be, consider the banana.
Each bunch takes two routes into your fruit bowl. The first route involves a Honduran worker employed by a multinational who picks the bananas, which are packaged and shipped to Britain. The multinational sells the fruit to a big supermarket chain, which sells it to you.
So far, so obvious. But then it becomes more interesting:
The second route – the accountants’ paper trail – is more round-about. When a Honduran banana is sold in Britain, where are the final profits generated, from a tax point of view? In Honduras? In the British supermarket? In the multinational’s US head office? How much do management expertise, the brand name, or insurance contribute to profits and costs? Nobody can say for sure. So the accountant can, more or less, make it up. They might, for example, advise the banana company to run its purchasing network from the Cayman Islands and run its financial services out of Luxembourg. The multinational might locate the company brand in Ireland; its shipping arm in the Isle of Man; ‘management expertise’ in Jersey and its insurance subsidy in Bermuda.
Say the Luxembourg financing subsidiary now lends money to the Honduras subsidiary and charges interest at $20 million per year. The Honduran subsidiary deducts this sum from its local profits, cutting or wiping them out (and its tax bill). The Luxembourg’s subsidiary’s $20 million in extra income, however, is only taxed at Luxembourg’s ultra-low tax haven rate. With a wave of an accountant’s wand, a hefty tax bill has disappeared, and capital has shifted offshore.
What are the implications of this? Most importantly, our banana multinational has managed to avoid paying the Honduran government – or indeed any government – any tax.
About two-thirds of global cross-border world trade happens inside multinational corporations. Developing countries lose an estimated $160 billion each year just to corporate trade mispricing of this kind. That much spent on health-care, Christian Aid reckons, could save the lives of 1,000 under-five children per day.
In 2006, the world’s three biggest banana companies, Del Monte, Dole, and Chiquita, paid only $235,000 tax between them – despite combined profits of nearly $750 million.
I’m sure that Shaxon chose deliberately to use Honduras as an example. Until 1970, Chiquita was known as the United Fruit Company. Fans of One Hundred Years of Solitude (1967) by Gabriel Garcia Marquez might have inkling about the United Fruit Company’s murky past:
The gringos…built a separate town across the railroad tracks with streets lined with palm trees…. The section was surrounded by a metal fence topped with a band of electrified chicken wire which during the cool summer mornings would be black with roasted swallows. No one knew yet what they were after, or whether they were actually nothing but philanthropists, and they had already caused a colossal disturbance…. Endowed with means that had been reserved for Divine Providence in former times, they changed the pattern of the rains, accelerated the cycle of the harvests, and moved the river from where it had always been and put it with its white stones and icy currents on the other side of the town, behind the cemetery.
The coming of the Americans – all of them employees of an unnamed banana company – is the cause of the ‘events that would deal Macondo its fatal blow’, chief of which is a massacre of striking workers. The employees of the banana company decide to down tools because of low pay and their appalling working conditions – something justified by the ‘mournful lawyers’ of the banana company on the grounds that
the banana company did not have, never had had, and never would have any workers in its service because they were all hired on a temporary and occasional basis. …it was established and set down in solemn decrees that the workers did not exist.
Caught in this ‘hermeneutical delirium’, the striking workers are at the mercy of the banana company and the army, sent to quell their action. The strike ends with a massacre in the town square, when soldiers turn their automatic weapons on an unarmed crowd.
This is a description of a real event, the massacre de las bananeras – the banana massacre – in Ciénaga, Colombia, on 6 December 1928. Garcia Marquez’s ‘banana company’ was the United Fruit Company, which hired labour only through local agents to avoid having to comply with Colombia’s labour laws. When Colombian workers demanded better conditions and formalised contracts, their strike became the biggest in Colombian history, and came to an end when the Colombian army opened fire on peaceful protestors in Ciénaga.
The term ‘banana republic’ was coined by O. Henry in his anthology Cabbages and Kings (1904) in his account of his brief stay in Honduras – on the run from an embezzling charge – to describe a country run for the profit of a small elite of politicians and businessmen. The business in question was the United Fruit Company – and the term could be used to describe most of the Latin American countries in which United Fruit operated.
Founded in 1909, United Fruit emerged as the largest North American banana importer during the first two decades of the twentieth century. Its success was due partly to its strategy of manipulating governments into allowing it to pursue its interests, mainly by excluding all other opposition. It created monopolies by paying local producers higher prices than its competitors – and then dropped these prices to well below acceptable levels once the rivals had left the market, often impoverishing its suppliers.

When United Fruit began cultivating its own plantations during the 1930s, it did so across Latin America. If one of its divisions succumbed to Panama disease (Fusarium cubens), the company simply abandoned it – and those workers – and destroyed all the infrastructure which would have allowed other companies to begin farming there again once the plants were rid of the fungus.
To top this, the company was not averse to manipulating governments through bribery and intimidation, and sponsoring the odd coup d’état. United Fruit lobbied hard for the CIA-backed coup in Guatemala in 1954, when the left-leaning Jacobo Árbenz Guzmán – who had expropriated land claimed by the company – was replaced by the rightwinger Carlos Castillo Armas.
As Pablo Neruda wrote in his poem ‘La United Fruit Co.’ (1950):
When the trumpet sounded
everything was prepared on earth,
and Jehovah gave the world
to Coca-Cola Inc., Anaconda,
Ford Motors, and other corporations.
The United Fruit Company
reserved for itself the most juicy
piece, the central coast of my world,
the delicate waist of America.
It rebaptised these countries
Banana Republics,
and over the sleeping dead,
over the unquiet heroes
who won greatness,
liberty, and banners,
it established an opera buffa:
it abolished free will,
gave out imperial crowns,
encouraged envy, attracted
the dictatorship of flies:
It seems that Chiquita still engages in questionable practises, other than doing its best not to pay tax. An investigation into Chiquita’s business dealings in Latin America during the late nineties alleged that the company bribed officials, used dangerous pesticides, employed its workers in appalling conditions, and illegally maintained a monopoly on banana production.
In 2003, Chiquita admitted to paying $1.7 million to the paramilitary group the United Self Defence Forces of Colombia (AUC), which has been listed as a terrorist organisation by the US State Department. The company also allegedly provided AK-47s to the group. Chiquita said that the payments were to protect its workers, but the Colombian authorities reject this, arguing that they were meant to allow Chiquita to continue producing bananas and to discourage labour unrest. It’s difficult to believe Chiquita’s claims as it becomes clear that nearly all of the victims of the AUC were Colombian workers.
So what are earnest locavores to do? They could stop buying bananas altogether, along with other imported produce. I have mixed feelings about this. I really like being able to support farmers in Kenya. We know that the distance that food travels between producer and plate is not necessarily linked to its impact on the environment: a ready meal made in a local factory may have a bigger carbon footprint than string beans grown in Tanzania. Another alternative would be to buy certified, Fair Trade products.
But, even so, Fair Trade can have only a limited impact. The problem with Fair Trade is that it asks consumers – those at the end of the food chain – to make the choices which will change a whole food system. This, particularly during a recession, is absolutely impossible. For real change to happen, we need a fundamental reform of both political and economic systems:
Fair trade alone cannot address the core problem of excessively concentrated markets in which a handful of overpowerful transnational corporations dictate terms of trade and suck profits up into their own coffers.
What is needed for really fair trade is a more equitable distribution of the money in the chain. That will only be achieved with a shift in power which requires political action.
Which is why, oddly, getting Chiquita to pay its taxes is the first step in creating a better and fairer food system.
Further Reading
Sources cited here:
Warren Belasco, Meals to Come: A History of the Future of Food (Berkeley: University of California Press, 2006).
Warren Belasco, Review of Storefront Revolution: Food Co-ops and the Counterculture by Craig Cox, The Journal of American History, vol. 82, no. 2 (Sep., 1995), pp. 853-854.
Marcelo Bucheli, ‘Enforcing Business Contracts in South America: The United Fruit Company and Colombian Banana Planters in the Twentieth Century,’ The Business History Review, vol. 78, no. 2 (Summer, 2004), pp. 181-212.
Gabriel Garcia Marquez, One Hundred Years of Solitude, trans. Gregory Rabassa (London: Penguin, [1967] 1973).
Mark Moberg, ‘Crown Colony as Banana Republic: The United Fruit Company in British Honduras, 1900-1920,’ Journal of Latin American Studies, vol. 28, no. 2 (May, 1996), pp. 357-381.
Nicholas Shaxon, Treasure Islands: Tax Havens and the Men Who Stole the World, revised ed. (London: Vintage, 2012).
Other sources:
Anthony Ashbolt, ‘From Haight-Ashbury to Soulful Socialism: Culture and Politics in the Movement,’ AJAS, vol. 1, no. 3 (July 1982), pp. 28-38.
Warren Belasco, Appetite for Change: How the Counterculture Took on the Food Industry, 1966-1988, revised ed. (London: Cornell University Press, 2007).
Andrew Kirk, ‘Appropriating Technology: The Whole Earth Catalog and Counterculture Environmental Politics,’ Environmental History, vol. 6, no. 3 (Jul., 2001), pp. 374-394.
Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
Feb 23
Secrets
I spent part of this week at a workshop on theorising secrecy and transparency. Based on a variety of readings – on a range of subjects, from drone warfare to the world’s first biometric money, and from women Free Masons in Italy to Wikileaks – we discussed how secrecy and transparency can only exist in relation to one another; how we need secrets in order to function socially; how transparency tends to pertain only to information and not knowledge; and what do we mean by discretion, and privacy?
And so, perhaps inevitably, my thoughts turned to food. We are all fairly familiar with the idea of the secret recipe. KFC markets its chicken as being flavoured with eleven secret herbs and spices. The contents of Worcestershire Sauce and Coca-Cola are closely guarded secrets. Such is the intensity of people’s curiosity around these products, there is now a cottage industry dedicated to discovering just what goes into Seven-Up or Dr Pepper.
One of my favourite episodes of This American Life attempts to recreate what is, apparently, the original, true recipe for Coke. The formula for the syrup on which Coca-Cola is based – called Merchandise 7x – is a very carefully guarded secret. However, the producers of the show managed to track down what seems to have been one of the first recipes for Coca-Cola, in a 1979 edition of the Atlanta Journal and Constitution.
Asa Candler, who founded the company in 1892, did not invent Coke. That person was a chemist, John Pemberton, who, in 1882, created Coca-Cola to sell alongside other drinks and patent medicines. Famously, its name derives from the fact that it contained extract of coca leaf. (Coca-Cola removed cocaine from its recipe in 1903.) After his death, the recipe circulated among other chemists – and it is this formula which was printed in 1979.
It is this formula which Ira Glass asks two people from Jones Soda in Seattle to recreate, but with not particularly encouraging results. They describe it as tasting like Froot Loops, or medicine, or aspirin. After refining the recipe and their ingredients (which include lemon and coriander oil, vanilla, lime juice, and lots of sugar) they arrive at something which approximates Coke so closely that they – and others – find it virtually indistinguishable from the ‘real’ product.
What is so interesting about this investigation is that it suggests that there were once several recipes for Coke circulating around Atlanta and, secondly, that the recipe itself has changed over time. In fact, one of the best indicators of this is the popularity of Mexican Coke. Many claim that it tastes considerably better than the American variety, and this is probably due to the fact that Coca-Cola made in the US now contains corn syrup – which is cheaper – rather than the original cane sugar.
It is unsurprising that manufactures of processed food would want to advertise their products on the grounds that they’re based on fixed, never-changing ‘secret’ recipes. This adds to the ‘specialness’ of the sauce, drink, or seasoning and, most obviously, suggests that these cannot be made at home. In fact, this is probably true: foodstuffs made in factories contain ingredients, and are put through processes, unavailable to the domestic kitchen. Also, unlike home cooking, manufactures are able to claim – despite evidence to the contrary – that these products will – apparently – always be absolutely uniform. One bottle of Worcestershire Sauce is supposed to be exactly the same as the next.
Current campaigns to force food companies accurately to label their products are partly a manifestation of suspicion of the contents of Big Food’s secret processes and recipes. This insistence on transparency is not particularly new, though. Towards the end of the nineteenth century, Heinz – one of the first, and now one of the biggest – food companies in the world distinguished itself from its competitors by selling its sauces and condiments in clear glass bottles.
As concerns about food contamination grew in both the US and elsewhere, Heinz argued that its clear bottles proved to shoppers the purity of their products. Unlike their competitors, they didn’t add lead, chalk, arsenic or any other contaminants to their merchandise. Partly as a result of this, Heinz could ally itself closely to the pure food movement in the US – linked to temperance organisations – as the best example of what an ethical food producer should look like. This made exceptionally good business sense. HJ Heinz was able to exert some influence over the committee responsible for writing the landmark Food, Drink, and Drugs Act of 1906. Although this legislation was designed to end food contamination, it worked to create a uniform, nation-wide set of regulations over the production and marketing of processed food.
Transparency – literally in the case of Heinz – actually enabled food companies to grow their markets across the United States. But although technology and industrialisation change the ways in which we understand and define transparency and secrecy, these have existed in the food world long before the nineteenth century. Chefs and cooks guarded their recipes in the same ways as other artisans and tradespeople protected knowledge about their skills.
I’ve been reading Bill Buford’s fascinating account of a journey through restaurant kitchens and butchers in New York and Tuscany. One of the themes running through Heat is secrecy: in an age where it’s ever-easier to share information, and where chefs are compelled to produce recipe books at regular intervals, how to keep iconic dishes – the food which defines restaurants – secret?
But secrecy is most important for three chefs in Italy and, significantly, all of them women. Intent on learning how to make pasta ‘properly’ (like an Italian, in other words), Buford gets in touch with the best pasta cooks he knows. Firstly, he calls Miriam Leonardi who runs Trattoria la Buca near Parma, and asks to spend some time in her kitchen, learning from her:
Next he tries Valeria Piccini, whose response is similar. This time, though, Buford realises why: ‘was it because she didn’t want to share her pasta secrets?’ He finally manages to secure a place in a small restaurant run by Betta Valdiserri in Poretta. It was here that Mario Batali learned Italian cuisine, and Buford, having spent a year in Batali’s restaurant Babbo, is accepted because of his connection with Batali.
Miriam is, though, as loath to share her secrets, and particularly for tortellini. While she does eventually divulge her recipe, she does so over a period of time, so that Buford needs to make a series of return visits to learn each step in the process of making tortellini:
For all three of these women who have managed to be successful in an industry which is male dominated and frequently sexist, and within a profoundly patriarchal society, keeping secrets becomes a way of claiming power. Their recipes are what define them, as Buford explains:
So although secrecy (and the pretense of transparency) is useful for big food companies, it is also a strategy useful for women negotiating a place within a world often designed to thwart their ambitions.
Sources
Bill Buford, Heat (New York: Vintage Books, [2006] 2007).
Gabriella M. Petrick, ‘“Purity as Life”: HJ Heinz, Religious Sentiment, and the Beginning of the Industrial Diet,’ History and Technology, vol. 27, no. 1 (2011), pp. 37-64.
Tangerine and Cinnamon by Sarah Duff is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.